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'By Franz Schubert (1797-1828). Edited by Walter Niemann. For solo piano. Classical Period. SMP Level 10 (Advanced). Standard notation, fingerings and thematic index (does not include words to the songs).

1. Schubert Trio E Flat
2. Schubert Serenade Midi

Published by Edition Peters'(Urtext edition). By Franz Schubert (1797-1828). Edited by Walter Gieseking. For solo piano. Piano (Harpsichord), 2-hands.

Henle Music Folios. Pages: V and 95. Classical Period. SMP Level 10 (Advanced). Collection (paper bound). Standard notation, finger'(Voice, Piano and Organ). By Franz Schubert (1797-1828), Johann Sebastian Bach (1685-1750), and Charles Francois Gounod (1818-1893).

For high voice solo, medium voice solo, low voice solo, piano (accompaniment and solo) and organ (accompaniment and solo)'(Medium High Voice in B-Flat). By Franz Schubert (1797-1828). For high voice solo and piano accompaniment.

Classical Period. Difficulty: medium.

Single piece. Vocal melody, piano accompaniment and lyrics (includes English, German, Latin). 7 p'(1 Piano, 4 Hands). By Franz Schubert (1797-1828). Edited by Willi Kahl. For Piano Duet (1 Piano, 4-hands).

Piano, 4-hands, Piano Duets. Henle Music Folios. Urtext edition without fingering-paper bound.

Classical Period. SMP Level 10 (Advanced).

Single p'(Piano Solo). By Franz Schubert (1797-1828). Edited by Paul Mies. For solo piano.

Piano (Harpsichord), 2-hands. Henle Music Folios. Urtext edition-paper bound.

Classical Period. SMP Level 10 (Advanced).

Introductory text and performance notes'(Volume 1: 100 Songs). By Franz Schubert (1797-1828). For high voice solo and piano accompaniment (high voice). Contains all the cycles plus 42 Selected Songs. Romantic Period. Difficulty: medium.

Vocal melody, lyrics and piano accompaniment.' (Medium Voice in A-Flat). By Franz Schubert (1797-1828). For medium voice and piano. Classical Period.

Difficulty: medium. Single piece. Vocal melody, piano accompaniment and lyrics (English, German, Latin).

Schirmer #ST27506. Pub(Piano Solo). By Franz Schubert (1797-1828). Edited by S Heller.

Arranged by Stephen Heller. For solo piano. Classical Period. SMP Level 7 (Late Intermediate).

Single piece. Schirmer #ST9417.

If both are available, you will receive download links for both.Not sure which one? After the product key is verified, select a product language from the menu.Select either 32-bit or 64-bit version to download. Your product key is located inside the box that the Windows DVD came in, on the DVD orin a confirmation e-mail that shows you purchased Windows. Drive image 7 download.

Published by G. Schirmer(Score & Parts). By Felix Bartholdy Mendelssohn (1809-1847) and Franz Schubert (1797-1828). CD Sheet Music.

Published by CD Sheet Music'(Low Voice). By Franz Schubert (1797-1828), Robert Schumann, Johannes Brahms (1833-1897), Hugo Wolf (1860-1903), and Richard Strauss (1864-1949).

Edited by Florence Easton. For low voice and piano. Vocal Collection. Classical Period. Difficulty: medium.' (Piano Solo). By Franz Schubert (1797-1828).

Edited by Paul Mies. For solo piano. Piano (Harpsichord), 2-hands. Henle Music Folios. Urtext edition-paper bound. Classical Period. SMP Level 10 (Advanced).

Introductory text and performance notes'(SATB). By Franz Schubert (1797-1828). Edited by Robert Shaw and Alice Parker. For SATB choir, soprano voice solo, tenor voice solo, bass voice solo and piano accompaniment (SATB). Choral Large Works.

Classical Period. Difficulty: difficult. Vocal score.' By Franz Schubert; J.S. Bach, Charles Gounod. Edited by Edwin Mclean.

For Voice with Piano. The Ave Maria Collection. Published by The FJH Music Company Inc'By Franz Schubert (1797-1828). Edited by Walther Durr. For soprano voice, Bb clarinet and piano. This edition: Urtext edition.

Classical Period. Difficulty: medium. Set of performance parts (includes separate pull out clarinet part). Introductory text. DBy Franz Schubert (1797-1828). Edited by Murray Baylor.

Masterworks; Piano Collection. Alfred Masterwork Edition. Classical; Masterwork; Romantic. Early Advanced. Published by Alfred Music Publishing(Piano Solo).

By Franz Schubert (1797-1828). Edited by Giuseppe Buonamici. Piano Collection. SMP Level 10 (Advanced).

Schirmer #LB75. Published by G. Schirmer'(Viola and Piano). By Franz Schubert (1797-1828). Edited by Paul Doktor. For viola solo and piano accompaniment.

Classical Period. Difficulty: difficult. Viola solo single.

Standard notation, piano accompaniment, bowings, fingerings and intrBy Franz Schubert (1797-1828). Edited by Leonard Rose. For cello and piano. Published by International Music Company(CD Sheet Music). By Franz Schubert (1797-1828). CD Sheet Music (Version 2.0).

Schubert Trio E Flat

CD Sheet Music #30400011. Published by CD Sheet Music.

The second of 's two full-length piano trios was begun during November 1827 and finished probably within the next few weeks. It was certainly completed by January of the following year, when held a private performance of the piece in celebration of the forthcoming marriage of his longtime friend Josef von Spaun; Spaun had encouraged the young composer at his fledgling compositional efforts while was still a preteen. The Piano Trio No. 2 in E flat major, Op. 100, was written almost immediately after the Piano Trio in B flat, Op. 99; himself felt the E flat work to be the better of the two - not at all surprising, since he had 'warmed up' on the other work before writing it.The Trio is a very different work than its B flat major sister-piece.

Opus 99 is an apparently carefree work whose soaring melodies have little if any of the firmness and grit that fill the E flat Piano Trio; indeed, the dramatic musical battle lines of the E flat major Trio, the frequent wholesale and sometimes very sudden abandonment of one mood for an absolutely contrasting one - the great swells and then deflations of confidence - would be utterly out of place in the emotionally stable Op. 99.The diversity and placement of material throughout the opening Allegro might have baffled an eighteenth century composer. After an initial, very traditional idea, moves to the extremely distant key of B minor(!!) for an impish second subject, defined by an incessant ostinato rhythm.

A third melody seems to appear in the key of the dominant B flat, but it is in fact an extension of a little pendant to the first theme. Still, it is this 'third' subject that rounds off the exposition and occupies the players throughout the entire development. The Andante con moto owes its songful melody to 's encounter with a Swedish folk singer shortly before, or into, the composition of the trio. There is raw passion in the movement's climax, a passion that seems unsure whether its final destination is transcendentalism or tragedy.The Allegro moderato (Scherzo) unfolds canonically; even when the exact imitation evaporates, the spirit of friendly emulation remains intact. The trio section is physical and robust. The finale is expansive and complex; the move from the bright opening theme to the more dark-spirited second subject is made with so little transition that at first one might imagine the movement to be a rondo.

After this second subject runs its course, however, we get no reprise of the opening music but rather something absolutely astonishing: a reprise of the melody from the second movement, doctored to suit the new tempo and context, that acts as an usher to the arriving development section. Parts/Movements. Allegro. Andante con moto. Scherzo.

Schubert Serenade Midi

Allegro moderato - Trio. Allegro moderatoAppears On.